I’m interested in how we respond to the energy transition and ecological crisis without losing our sense of play, tenderness, imagination and aliveness. Much of my work explores how creativity can help people remain connected - to themselves, to each other and to the living world, especially during times of uncertainty and transformation.

Over the years I’ve developed and supported projects ranging from large-scale participatory artworks and community engagement processes to exhibitions, workshops, publications and cross-sector collaborations. These projects often invite people to contribute directly - through making, conversation, reflection or shared acts of creativity - creating spaces where climate and energy questions become personal, collective and emotionally tangible.

I’m particularly interested in participation as a form of cultural power: not simply asking people to observe, but inviting them to shape, question and contribute.

Nature is central to my practice. Despite not being an ecologist or scientist, I’m drawn to the intelligence held within living systems - cycles of growth and decay, interdependence, adaptation and renewal - and I often look to the natural world as both collaborator and teacher. My work explores how ecological thinking might reshape not only our technologies and infrastructures, but also our relationships, values and imaginations.

Alongside artistic work, I speak, facilitate and collaborate with organisations exploring how creativity can support climate engagement, systems change and public participation. I’m especially interested in building bridges between sectors that do not often work together, and in creating conditions where different forms of knowledge can meet.

At the heart of my practice is a belief that imagination matters.

That cultural change matters.

And that in times of transition, artists and creative practitioners have an important role to play in helping people make meaning, build connection and imagine new possibilities for collective life.